Screen with the Siege of Belgrade and hunting scene. Circle of the Gonzalez Family. c. 1687- 1701 CE Tempera and resin on wood, shell inlay.
Form
Only known example of an artwork that combines biombos and enconchados
Function and Patronage
The screen was commissioned by Jose Sarmiento de Valladares, viceroy of New Spain
Displayed in Viceregal Palace in Mexico City
The screen was meant to divide a space into smaller areas; similar to Japanese screens in function
Only half of the screen is illustrated in the official image set; the other half is Mexico City
Context
Two faces of the screen: one has a hunting scene, and the other has a war scene(The Siege of Belgrade)
The hunting scene is suited to an intimate space for small receptions
The hunting scene is based on tapestry designs for the Medici, a great family of art patrons in Renaissance Italy; the design is derived from prints exported to Europe.
The war scene is more suited for a grander room of political importance
The war scene depicts the contemporary event of the Great Turkish War; a Dutch Print was used for inspiration
The war scene illustrates a scene of Hapsburg's power
Lacquer-style imported works from Japan influenced the decorative floral elements and the landscape motifs